![]() ![]() Loy crossed paths with Duncan in Berlin in 1921, and Loy and Duncan both frequented writer Natalie Barney’s Paris salon between 19. Choreographer Agnes de Mille wrote that, when young, Duncan danced with grace when older, with grief, following the death of her children who drowned in a car crash in the Seine in 1913 ( Life into Art 10).įrom 1907 to 1910 at the Caffè Giubbe Rosse in Florence, Mina Loy occasionally crossed paths with Duncan and Craig, supposedly the most conceited man Loy ever met. Famously androgynous, she defied traditional gender roles, bearing three children out of wedlock by three different men: a daughter with the stage designer Gordon Craig, a son with Paris Singer, heir to the Singer Sewing Machine fortune, and a third, who lived only briefly, with a passing acquaintance Romano Romanelli. Often performing as a one-woman corps de ballet and always in a “Greek” costume of draped silk or chiffon with bare feet and arms, she developed her own dance technique based on a simple vocabulary of steps, skips, glides, leaps, and pantomime that eschewed masculine movements. She rose to international prominence while dancing privately in salons across Europe. In 1896, she joined the Chicago-based dance company of theater producer Augustin Daly, soon traveling with them to New York and London. ![]() Even as a young girl Duncan rebelled against her classical ballet lessons in favor of spontaneous and expressive movement, her signature style throughout her career.ĭuncan began performing in 1890 with her brother’s theater in San Francisco. After her father was tried for illegal banking schemes, her mother divorced him and raised her children in a free-thinking household that encouraged Duncan’s impulsive, revolutionary spirit. Germain-des-PrèsĪ founder of modern dance and proponent of women’s freedoms, Isadora Duncan was born in 1877, the youngest of four children to Joseph Duncan and Mary Isadora Gray.
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